Play Along Piano

Tags

Renaissance

Bartók forever

5:33	Est. Play Time
96	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		20	0	6	7	80%
		23	0	7	7	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel		20	0	6	7	80%
		23	0	7	7	88%

Come, Heavy Sleep for Guitar Duo, John Dowland

PreludeAndFugue

0:45	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		21	0	3	7	96%
I		19	0	4	7	87%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		21	0	3	7	96%
I		19	0	4	7	87%

Cabezón - Tiento sobre Cum Sancto Spiritu

Patrx2

2:50	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	0	6	6	93%
	12	0	3	3	19%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	6	6	93%
	12	3	3	19%
	17	4	4	70%
	11	2	3	17%

FUGA SSWV 129

Bartók forever

10:47	Est. Play Time
153	Measures
	1,247Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	8	9	87%
		23	0	5	9	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		23	0	8	9	87%
		23	0	5	9	89%

Semper Dowland Semper Dolens for Guitar Duo, John Dowland

PreludeAndFugue

2:27	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		26	7	7	8	93%
I		24	0	8	8	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		26	7	7	8	93%
I		24	0	8	8	89%

Lachrimae Antiquae for Guitar Quartet

PreludeAndFugue

3:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I	10	0	1	7	100%
II	11	0	2	8	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I	10	1	7	100%
II	11	2	8	100%
III	11	1	7	100%
IV	21	3	8	96%

Semper Dowland Semper Dolens, John Dowland

PreludeAndFugue

4:55	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II	15	0	4	8	100%
IV	25	0	6	8	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
II	15	4	8	100%
IV	25	6	8	99%
III	13	3	7	97%
I	13	4	7	95%

Polemics between Zarlino and Rameau

Plagal

3:03	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	0	18	6	94%
	27	0	19	6	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Recorder	22	18	6	94%
	27	19	6	94%
Alto Recorder	24	19	6	88%
Bass Recorder	28	13	6	61%

Sinfonia à 4

Makoto

1:58	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

Antonio de Cabezón - Diferencias sobre el canto del Caballero

Mitocondria

2:40	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	4	7	98%
		21	0	5	7	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	0	4	7	98%
		21	0	5	7	98%